DEBRIS.COMgood for a laugh, or possibly an aneurysm

I found a small tupperware in the back of the fridge today. (Isn’t that an ominous opening sentence?) Inside were about a dozen cloves of roasted garlic, taken from inside last week’s turkey. The smell was overpowering. The garlic was intact — this isn’t a fuzzy-food story — but the aroma was a lot bigger than I expected. I am Pandora, with some regret at having opened the box.

So I’m about 10 batches into this new starter, and I can’t tell any difference from the raisin-based starter that’s now no doubt growing like the Blob at our local landfill.

The bread isn’t bad, but it’s depressingly just the same as all my sourdough loaves have been this year… mild flavor, with a tendency to spread in the oven.

I guess I could go back to commercially yeasted breads, if the smell didn’t make me vomit.

Many of the drum rhythms on this site were created spontaneously on a drum kit. In contrast, this beat was constructed to fit a song written by a friend of mine, who is, as I type this, madly mixing tracks for his debut solo CD.

This groove is a simple transposition of a bass line to drum kit. I like the way it percolates beneath the song. In that context, the snare shouldn’t leap out as much as it does in these electronic simulations.

Patronize these links, man:

• Virtual Drummer loop
• MIDI
• MP3

I was reminded today that I’m leaving the country in about 16 days. And then I was reminded that my passport expired last year. And then I spent a frantic lunch hour overnighting still-damp photos and a check for $75 to the state department’s “expedited” passport service.

Watch this space… if they don’t get back to me soon, I’ll have some cheap tickets to Europe for sale. Yeesh.

Quarter-note bell pulse, offbeat hi-hat played with the foot, ghost notes. It’s straight time but it grooves pretty well, and the accent on the a of 3 breaks it up a bit. This sample contains 4 bars of the groove, with two separate fills (2nd and 4th measures). I particularly like the slow triplet-feel break at the end, even though it’s not really a triplet at all.

This groove works well if you can ride your HH foot on the 1/8th notes, open on the offbeats and close on the downbeats (or vice-versa). The transcript below doesn’t show this; it simply shows the HH closing on the offbeats, played with the foot.

     1e+a2e+a3e+a4e+a
RC   O   O   O   O   
SD    o  O  o o O o o
KD   o  o o  o     oo
HH     x   x   x   x

Patronize these links, man:

• Virtual Drummer loop
• MIDI
• MP3