Nearly in time for your holiday spending spree, here’s a miscellaneous collection of stuff I think is neat. I’ve searched the entire planet to bring you the most intriguing stuff money can buy, at an incredible value to you. Well, not really, but you get the idea.
Art and stuff that looks like it
Gifts for Photographers
Gifts for People who wear Clothing
Important Books
I generally don’t list mass-market items here, because you’re innundated with them 24x7 via television, radio, and the-entire-internet.com. But I just stumbled across a DVD that needs to be better known. I make that claim because I’m the perfect customer for it, and even though it came out last year I only discovered it this morning:
If you’re not yet sated, check out last year’s edition: 2002 Gift Guide.
Dan Margulis holds the keys to the digital darkroom. If you own a digital camera and a copy of Adobe Photoshop, you need this book, for it will show you how to get the most out of your photos.
Even if you’re shooting film and scanning the prints (or negatives), Professional Photoshop will show you how to extract the best picture from your scan.
The book contains over 300 pages of instruction, with hundreds of photographs illustrating the techniques. Topics include: removing color casts, extending dynamic range, plate blending, sharpening, contrast enhancement, recovering too-dark originals, photo restoration, conversion from color to black and white, and more. I’ve put together two quick examples to demonstrate the most important, and most immediately useful techniques.
Use Curves to remove color castsHumans perceive true colors no matter what the ambient light is like. But cameras aren’t as highly evolved. See the left side of my example; the photo was taken at dusk, when the lack of sunlight made everything appear blue. The left side of the example photo was not doctored — that’s the raw original image.
Professional Photoshop describes in meticulous detail how to use Photoshop’s Curves tool to remove color casts. The right side of the image is the result of a single pass with the Curves tool, using techniques presented by Margulis. Although it is not perfect, the corrected side of the image is a huge improvement.
Use Curves to expand dynamic range“Expanding dynamic range” sounds like a mouthful, but all it means is to make the blacks blacker and the whites whiter. Even high-end cameras don’t make full use of the available spectrum… but it’s a simple operation in Photoshop to do so. Margulis shows how to find the important parts of an image and make them stand out.
The left side of the example image appears to have been shot through a cloud of flour. The detail on the right side is much more pronounced; the colors are more vivid. It’s a significantly better picture. The improvement took two steps:
This correction took less than one minute.
I will caution potential buyers that Margulis’ book contains more than most people want to know. The learning curve for some of the advanced techniques is steep. But you only need to climb as far as you want — and the basic techniques have immediate payoff, as evidenced by my quick corrections above.
In my opinion this book is essential for digital photographers, especially for people who use online photo printing services like PhotoAccess.com, OFoto, ShutterFly, etc. I printed images straight from the camera for a few months, but now I’m going back and re-printing them, because the corrected versions are so much better.
You can see one more correction example here: using channel blends to correct underexposure.
Patronize these links, man:
How to install a photovoltaic array in a few simple steps:
I watched the crew in awe today. I can’t imagine a less fun job than working on someone’s roof, fully exposed, during a cold rain, bolting a steel rack together. OK, wait, I can too. These are hearty souls, though. They were cheerful about it all. They put in a full day’s work up there in the drizzle.
This module and 23 just like it are being installed on my roof today.
I’ve squashed a few bugs, implemented a few new features, and made some changes to the layout, both in response to reader feedback and my own testing:
Not yet changed, as of this writing, is the hanging nature of list-item bullets. The fact that bullets sit to the left of the text margin causes many people concern. I have not yet determined whether to change this… the stylesheets are not finished, but honestly I like hanging punctuation.
My publishing software attempts to honor the traditions of typography. Note the “smart” quotes — and the emdashes. And the hanging bullets, darn it!
You know what would be really neat: hanging all punctuation, like in the #3 example of Typography 101. I used to do that in Pagemaker when I did lots of design work on paper, approximately 400 years ago. Another rewarding challenge those days: making sure text baselines were consistent across columns. It was trickier than you might think, but the results were cooool.