DEBRIS.COMgood for a laugh, or possibly an aneurysm

Der Spiegel, SF Chronicle, Flickr’s katrina tag

There are some amazing shots within the NOLA galleries too.

The aerial shots from stern.de are some of the best I’ve seen.

(Thanks to Bim for all the German links.)

Remember the “counterfeit Oktava microphone” controversy?

Ken Heaton of Oktava USA wrote to point out a misleading advertisement from Guitar Center. In its description of the “MKL2500,” the copy claims the mic is “Hand-built in Russia.” This is almost certainly not true, as anyone familiar with the controversy will tell you — for the Russian mic manufacturer severed its ties with the company selling these mics in the Fall of 2004.

That said, this mic, which was probably manufactured in China, might sound great, and if so $100 is a fantastic price. But it’s not really an Oktava microphone, and in my opinion Guitar Center is doing its customers, not to mention the Oktava company, a great disservice by labeling it as such.

The other misleading thing about the Guitar Center advertisement is more subtle. The picture of the MK-012 shows, but doesn’t label, the 10 decibel “pad” that is shipped with genuine Russian Oktava MK-012 mics. This is misleading because, as of May, 2005, the Chinese versions of this mic sold by Guitar Center did not come with this part. Perhaps the Chinese supply has been updated? As usual, caveat emptor.

Here’s the original ad.

One of the interesting aspects of this story is that, in May, Guitar Center staff had no idea they were buying Chinese rather than Russian mics — because I told them as much, and their buyer’s surprise was genuine. Since then, I’ve personally verified that the news had filtered down to the level of the bag-check guys who stand by the door. Guitar Center can’t claim ignorance any more.

Update: leaked Guitar Center internal memo tells the inside story!

My summer recording session is proceeding according to plan. By which I mean, I planned to be several weeks behind. That’s why I allowed myself an extra month.

I had two goals:

• upgrade my studio gear and my tones
• appear on as many CDs as possible

The second goal meant working with songwriters who are more likely to release CDs in the near future than I am. I found several. Here is the current track list:

I’m taking a lot of time with these projects — sometimes a couple weeks to work up a demo, then a couple more once the demos get approved (which itself can take weeks, if not months (hello aaron!)).

The untitled gospel/techno tune is a remarkable exception. Given a scratch bass track and a stylistic reference to a tune I’ve never heard by an artist I’d never heard of, I turned around two demos in one evening, and recorded a final take in another evening. It ended up being a pretty basic groove — there was no other way to play it, because none of the cool breaks had been written yet — but I was so pleased with it I listened to it a half-dozen times the next day. I have no idea what the final song will sound like, because the bass line has since been rewritten. So, basically, I don’t know what song I recorded, but I know the drum track is pretty cool.

In addition to the above schedule, I have another artist who I’ve promised four drum tracks. That project is somewhat at risk, because I’m postponing it until the rest of these songs are complete.

Also I have a half-dozen song fragments of my own bouncing around in various formats — GarageBand, ProTools, MP3, and even a digital 8mm videotape of neat dulcimer lines. I hope to put together at least one new song of my own before I have to take my kit down next month. It’s just a matter of time.

By the way, we bailed on Rawstock when we figured out tickets would cost us $100 apiece. (!)

The SF Weekly has a cover story on Fred Franzia, the founder of Bronco Wines and father of Charles Shaw (“Two Buck Chuck”) wines. It’s a fascinating peek under the soiled bedsheets of the somewhat incestuous wine industry.

One of the most interesting parts of the story describes Bronco’s purchase of winery names that have been grandfathered into the law regulating appellation labeling. In short, there’s a way to put a “Napa” label on Central Valley wine, and Bronco knows all about it.

Read the story: Discount Dynasty

An older story from the Napa Valley Register recounts much of the same history in many fewer words, and also describes why “Two Buck Chuck” actually costs $3 outside of California:
The voice of ‘Two Buck Chuck’